Bidyawati Phukon designed the music of the play, Bol Senai Taloike, in such a way that it remained true to the spirit of the village -folk of Assam whose lives are emerged in the music they breath and live. The glimses of their lives that were depicted apparently discreetly in the play, were in fact connected by a hidden and strong thread of music of the soil. The actors, who are coming of the same soil, had music in their bodies. It was, in fact, the prime factor which gave the experience of the play a different dimension of musicality.
Guna
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