THE DOORWAY

• A MINUTE INTO THE PERFORMANCE AND THERE WAS A COUGH HEARD ON STAGE. WHO'S COUGH WAS THAT? THE ACTOR'S? THE CHARACTER'S? SOME ONE ELSE'S?
• IN THE MIDDLE OF A PERFORMANCE, IS IT NECESSARY TO PAUSE EVERYTIME TO FIND THE CORRECT IMPULSE AND THEN ONLY CHANGE THE COURSE OF ACTION?
• ACTING WITHIN A FIXED FRAME. WAS THAT TO TIE THE CHARACTER DOWN? OR WAS THAT TO SHOW THE STRUGGLE OF THE CHARACTER ?
• THE ACTOR WORE 3/4 RINGS ON HER FINGURE. WAS THAT PART OF THE ACTOR'S PERSONAL ATTIRE? PART OF THE COSTUME DESIGN ? OR WAS IT A PROPERTY ? IF SO, WAS IT'S USE JUST TO CREAT SOUND ON THE METAL FRAME ?
• DIFFERENT GESTURES CAN CREATE DIFFERENT KINDS OF SOUNDS
• IS THE REPETITION OF WORDS AND SENTENCES A STYLE OF ACTING , OR IS IT TO CONVEY EMOTION ?
• THE MOVEMENT AND SOUND ADDED A DIFFERENT DIMENSION TO THE PEFORMENCE. SITTING IN THE AUDIENCE , IT SOMETIMES FELT LIKE I WAS ATTENDING AN EXORCISM OF SORTS.
• TRANSITION WAS OFETN MADE THROUGH SONG. SOMETIMES SILENCE ITSELF CAN SAY MORE.
• THE LOOK OF THE PLAY WAS HIGHLY DESIGNED. EVEN EVERY ACTION WAS SELECTIVE , SPECIFIC
• TO SUDDENLY INTERACT WITH THE AUDIENCE , AND THAT TOO VERY DIRECTLY - WHAT WAS THE PURPOSE?

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