THE ENCOUNTER BETWEEN DESIGNS AND ACTORS

NOW A DAY THE MAJOR ASPECTS OF THEATRE ARE ACTOR AND DESIGN.
THIS TWO ASPECTS GOES TOGETHER AND MAKE A BODY.
THESE TWO ASPECTS HAS ITS OWN ENERGY AND IT REFLECTS DURING A PLAY.
BUT SOMETIME THESE TWO ASPECTS ENCOUNTER EACH OTHER DURING A PLAY.
WHEN THE DESIGN ENERGY DOMINATE THE ACTOR ENERGY THE ENCOUNTER HAPPEN BETWEENTHEM. AND IT IS ALSO A COMBINATION OF TWO DIFFERENT THINGS THAT IS ANIMATE AND INANIMATE. BEING AN ANIMATE ACTOR CHANGES EMOTION EVERY MOMENT.
FOR THIS DESIGN ALSO NEED TO BECOME ANIMATE.


PLAY
“CHANDA MAMA DOOR KE”

THE WHOLE PLAY IS NICE TO SEE.
THE DESIGN ALSO SAYS MANYTHING.
THE ENCOUNTER BEGUN WHEN THE SET AND LIGHT MAKE THEIR
OWN SPACE AND STARTED ENCOUNTERING WITH ACTOR.
IN THE PLAY THE STATIC VISIBLE OF ROPE AND LED LIGHT THROUGHOUT
THE PLAY MAKES THE ENERGY OF THE ACTOR STRUGGLE TO REACH THE ENERGY OF THE DESIGN.



PLAY
“THE SPIRIT PLAY”

THERE IS LOTS OF WHITE LEAFS COVER BOTH STAGE
AND AUDITORIUM IT IS NICE TO SEE.
BUT THE AMOUNT OF LEAF ABSORBS THE ENERGY OF THE ACTORS.
THE ACTORS WERE CONFINED ON ONE SPACE WHICH MAKE OTHER SPACE UNCHARGE WHICH STARTED ENCOUNTER.

PARI